Date
Sunday, February 25
Monday, February 26
Time
1:00 pm - 7:00 pm
9:00 am - 5:15 pm
Location
In-Person
Sedona Arts Center
15 Art Barn Road
Sedona, AZ 86336
Sedona Arts Center
15 Art Barn Road
Sedona, AZ 86336
The Center for the Study of Race and Democracy (CSRD), in partnership with the Sedona Arts Center, is hosting the second annual Vision and Sound symposium. This year's keynote speaker is Dr. Chip Thomas, an accomplished Arizona physician, photographer, public artist, and activist. Dr. Thomas has practiced medicine and created art in the Navajo Nation since 1987. Join us for an enriching experience featuring a dynamic keynote lecture and interactive workshops, all offering opportunities for professional development certification.
The symposium includes a two-part interactive Critical Response Process workshop led by world-renowned choreographer and 2023 Guggenheim Fellow Liz Lerman that will showcase ASU faculty member Edson “House” Magana and his film “Outcast.”
Conversations with the artists, facilitated by Sedona Arts Center CEO Julie Richard and CSRD Director Lois Brown, PhD will complement the Symposium workshops and keynote address.
Vision & Sound, created by Norma and Michael Cunningham of Goodyear, Arizona, provides a rich educational experience and environment that broadens the understanding and appreciation of African American art, music, film, and literary works for multigenerational and multicultural audiences.
Vision and Sound strives to build supportive relationships and to encourage cultural equity throughout Arizona and beyond to call attention to American artists of African descent who often are overlooked. As of 2022, Vision and Sound is presented by the Sedona Arts Center. The Vision and Sound Symposium, inaugurated in February 2023, is a collaboration between the ASU Center for the Study of Race and Democracy and the Sedona Arts Center.
Sunday, February 25 1:00 pm - 7:00 pm
Monday, February 26 9:00 am - 5:15 pm
The 2024 Vision and Sound Symposium features a keynote address with artist and physician Dr. Chip Thomas and includes a two-part interactive Critical Response Process workshop led by world-renowned choreographer and 2023 Guggenheim Fellow Liz Lerman that will showcase ASU faculty member Edson “House” Magana and his film “Outcast.”
VISION & SOUND SYMPOSIUM 2024
RACE, ARTS + UNDERSTANDING
FEBRUARY 25 + 26, 2024
Sedona Arts Center in partnership with Arizona State University Center for the Study of Race & Democracy
Location: Sedona Arts Center, 15 Art Barn Road, Sedona, AZ 86336
PROGRAM SCHEDULE:
Sunday, February 25, 2024
PRE-SYMPOSIUM CONCERT
1:00 PM – 3:00 PM The Tommy Dukes Band
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4:00 PM Registration & Certification Check-In
4:30 PM – 5:00 PM Welcome Remarks
5:00 PM – 6:00 PM Vision + Sound Artists
Panel Discussion
Facilitator: Dr. Lois Brown and Julie Richard
Participating Artists: Amber Doe, Chip Thomas, Debra Edgerton, Dorrell Bradford, George Welch, Isse Maloi, Jacqueline Chanda, Jerome Fleming
6:00 PM – 7:00 PM Reflection and Reception
Monday, February 26, 2024
9:00 AM –9:15 AM Registration
9:15 AM – 9:30 AM Welcome and Setting the Stage
Listening Palette Introduction
Julie Richard, Dr. Lois Brown and Liz Lerman
9:30 AM – 10:45 AM Keynote Presentation
The Intersection of Art + Medicine
Presenter: Dr. Chip Thomas aka jetsonorama
10:45 AM - 11:00 AM Break
11:00 AM – 12:15PM Workshop – Part 1
Film: Outcast (House)
Critical Response with Liz Lerman
Presenters: Liz Lerman + House
12:15 PM - 1:30 PM Lunch - Provided with live music by Jonathan Levingston
1:30 PM - 2:30 PM Interactive Workshop – Part 2
Critical Response for Vision and Sound Art
Discussion with Chip Thomas, Liz Lerman, + House
Moderated by Dr. Lois. Brown
2:30 PM - 2:45 PM Break
2:45 PM - 3:45 PM Art Journaling
Interactive Experience
Led by Julie Richard
3:45 PM - 4:15 PM Reflection
4:15 PM - 5:15 PM Reception
Dr. Chip Thomas, aka “jetsonorama” is a photographer, public artist, activist and physician who has been working between Monument Valley and The Grand Canyon on the Navajo nation since 1987. There, he coordinates the Painted Desert Project – a community building project which manifests as a constellation of murals across the Navajo Nation painted by artists from all over the rez + the world. These murals aim to reflect love and appreciation of the rich history shared by the Navajo people back to Navajo people.
As a member of the Justseeds Artists Co-operative he appreciates the opportunity to be part of a community of like-minded, socially engaged artists. His large scale photographs are pasted on the roadside, on the sides of houses in the northern Arizona desert, on the graphics of the Peoples Climate March and on Justseeds and 350.org carbon emissions campaign material.
Thomas was a 2018 recipient of a Kindle Project gift and in 2020 was one of a handful of artists chosen by the UN to recognize the 75th anniversary of the UN's founding. Artists were chosen to generate work that "contributes to the envisioning and shaping of a more resilient and sustainable future. It is hoped that this work will amplify and accelerate implementation of the UN Global Sustainability Goals with a focus on communities and climate action.
Liz Lerman
Liz Lerman is a choreographer, performer, writer, teacher, and speaker. She has spent the past four decades making her artistic research personal, funny, intellectually vivid, and up to the minute. A key aspect of her artistry is opening her process to everyone from shipbuilders to physicists, construction workers to ballerinas, resulting in both research and experiences that are participatory, relevant, urgent, and usable by others. A key aspect of her artistry is opening her process to everyone from shipbuilders to physicists, construction workers to ballerinas, resulting in both research and experiences that are participatory, relevant, urgent, and usable by others. She founded Liz Lerman Dance Exchange in 1976 and cultivated the company’s unique multi-generational ensemble into a leading force in contemporary dance until 2011, when she handed the artistic leadership of the company over to the next generation of Dance Exchange artists.
Lerman is regularly invited as a keynote speaker to diverse gatherings – from arts presenters to ceramicists, research universities to arts-military convenings. Lerman’s collection of essays,Hiking the Horizontal: Field Notes from a Choreographer, was published in 2011 and released in paperback in 2014. Critique is Creative, a collection of essays from Critical Response practitioners from around the world, was published in 2022 by Wesleyan University Press.
Edson “House” Magaña
Jorge Edson “Bboy House” Magaña is a trailblazing first-generation college graduate, holding a B.A. in Psychology/Sociology and an M.F.A from ASU. With over 29 years as a dedicated practitioner of Hip Hop dance, specializing in breakin', Magaña has made substantial contributions to Arizona's art communities. He co-founded the Furious Styles Crew and has played a pivotal role in creating collaborations and socially engaged work. His remarkable stage career spans international tours in Japan, representing Team USA in prestigious events like Red Bull's London “Beat Battle," New Zealand’s X-Air games, and Germany's "Battle of the Year." Magaña has been part of the NBA’s Phoenix Suns fast Breaker, Wnba’s Hip Hop Squad, and featured in notable music videos.
Magaña actively nurtures Hip Hop dance, teaching, competing, and judging across Europe to develop Furious Styles Crew's global presence. As a Clinical Assistant Professor at Arizona State University, he has helped shape the Hip Hop program and curricula. In 2024, Magaña will also supervise his team through the Next Level program, having previously been selected by the U.S. Department of State for two residencies in the 2017-2018 Next Level program. During this program, he led art workshops inspiring local artists and young people in Morocco, promoting entrepreneurship and conflict resolution. Magaña received the Mayor's Award in Phoenix, AZ in recognition for his achievements and is acknowledged on the national platform breakkonnect.comfor organizing the most exceptional events in the U.S. His journey exemplifies resilience, artistic excellence, and a commitment to education and community development.
Dr. Lois Brown
As director of the ASU Center for the Study of Race and Democracy, Lois Brown oversees the only entity at ASU and in the state of Arizona that positions race and democracy in direct relation with each other. The Center, which is based in the Office of the University Provost, advances and creates initiatives that intensify the intellectual, pedagogical and programmatic efforts of the university. Brown, who also is ASU Foundation Professor of English, is committed to programming, partnerships and outreach that enable the center to focus on race and democracy in the context of education, social justice, public history, poverty and economic opportunity, the arts, law, government, the sciences and the environment. Brown's public speaking and presentations on equity, leadership, justice and inclusion complement the Center's efforts to support and achieve positive systemic change and justice.
Julie A. Richard
Vision and Sound 2024 is presented by the Sedona Arts Center in partnership with the ASU Center for the Study of Race and Democracy and is supported by generous grants and sponsorships. Chief Executive Office Julie Richard oversees the organization that became the Sedona Arts Center in 1961 after an official renaming. 1994 was the year of expansion with the addition of a new building to house an art gallery, classroom space, and the community theatre, which was founded in 1970. In 2001 the mission was redefined to focus primarily on education through the School of the Arts and gallery exhibitions of the visual arts. The School of the Arts has become a catalyst for creative development for students of all ages, from the very young through the golden years of life.
Today the Sedona Arts Center is a rich legacy of the founders’ vision. As one of Northern Arizona’s oldest 501(c) 3 nonprofit organizations it continues to be a gathering place where artists and those who love art can explore, teach and exhibit. The Arts Center has grown into an educational institution dedicated to nurturing creative discovery, learning and sharing through arts education and artistic development with an international presence.
Amber Doe is a research based, intersectional artist working in textile, sculpture, installation, sound, photography and video. Growing up on the rural Drowning Creek Native American Reservation, she vividly understood the complexities of discrimination. Doe creates generative, immersive works with urgency based on American state sanctioned violence. Doe creates work with a historical and contemporary understanding of American and post colonial western societies’ desire to control and subdue black bodies along with a vivid material portrait of her immediate family, diasporic and interspecies family.
Lived experiences as a black American woman are Doe’s chief contextual frameworks including black femininity, post colonial trauma, autobiographical, ancestral and multigenerational cultural practices and the natural environment. Natural materials and animal sounds used for her sculptures, installations and performances make reference to her lived experience on the reservation and now in the American Southwest: palm leaves, branches, flowers, hair extensions and cotton rope are personal and ancestral.
Doe’s work has been exhibited at the Amarillo Museum of Art, Urban Institute of Contemporary Arts, the Museum of Museums, the LeRoy Neiman Art Center, and a solo exhibition at Snakebite Gallery, in Tucson, AZ. Doe was awarded the 2022/2023 Projecting All Voices Fellowship through Arizona State University and the Andrew Mellon Foundation. In 2021, Doe was an Abbey Awards Fellow in Painting at the British School at Rome and has been awarded residencies at Arteles in Haukijärvi, Finland, Can Serrat in Barcelona, Spain and La Ira de Dios in Buenos Aires, Argentina. Shown in galleries including Untitled, NY, Irwin Gallery, Detroit, MI, MCLA Gallery, North Adams, MA, and Exo Den Haag, The Hague, NL and a solo exhibition at Snakebite Gallery, Tucson, AZ. She received her BA from Sarah Lawrence College.
Bob Martin is a native New Yorker who was surrounded by Art, jazz, dance and basketball while he was growing up. He believes that “Creating Art is a real opportunity, to be honest, with no need for an explanation or a defense.’ He believes that “Art is not a prelude to what is to come . . . it has its own life” and, that as the poet-theologian-activist Thomas Merton once said, “Art enables us to find ourselves and lose ourselves at the same time.”
Martin has been creating Art and exhibiting for almost sixty years. He studied Art at the N.Y. School of Visual Arts and The Art Students League of New York with Barry Zaid, Peter Cox, Harvey Dinnerstein, David Lefell, and Ted Seth Jacobs. His most recent one-person shows and group exhibitions have been featured across Arizona in such sites as ASU Gammage, the Goodyear Library, the West Valley Museum of Art, Olney Gallery at Trinity Cathedral, Estrella Mountain Community College and the Sedona Art Center.
Debra Edgerton is an Assistant Professor in the School of Art at Northern Arizona University. Her work speaks to issues concerning identity, perception, race politics, and environmental justice. She received MFAs at the San Francisco Art Institute and Vermont College in Interdisciplinary Art. In 2020 she merged arts and science to discuss water issues and sustainability in the exhibition Parched: the Art of Water in the Southwest. Her research and collaboration with leading biologists, scientists, and engineers demonstrates the importance of creative thinking in the development of a body of work. In 2021, Professor Edgerton completed a grant through the Arizona Commission on the Arts that tackled the issue of image perception for women of color related to the topics of grief and spirituality. A component to the project consisted of in-depth interviews with women from various belief systems discussing how they deal with death and loss. Two paintings in this series have garnered the High Winds Award through the American Watercolor’s International Exhibitions. One of these painting was displayed in Italy for the Fabriano in Acquarello exhibition in both Bologna and Fabriano, Italy. Professor Edgerton received a 2022 Scholarly and Creative Activity Award Grant, a 2022 McAllister Fellowship, and received a Research Associate position with the Museum of Northern Arizona. Her work will examine fresh water ecosystems in the Colorado Plateau, their community relationships, and their correlation to human communities of color. One of her paintings is in the permanent collection of the Historically Black Colleges and Universities. Other distinctions Ms. Edgerton has received include the Provost Award for Faculty Excellence in Global Learning, Commission on the Status of Women Outstanding Achievement and Contribution to Diversity, Arizona Commission on the Arts Research and Development Grant, VanDenburg Grant, and Contemporary Forum Artist Grant. She has received multiple honors and awards for her art highlighted by the Edgar Whitney Memorial Award, TWSA Master Status Award, and Master status through the National Watercolor Society. She spent a residency in Venice, Italy and a fellowship in Osaka, Japan. The fellowship lead to an invitation to present on the topic of race and culture at Kansai University. Diversity is key to Professor Edgerton’s scholarship. She was in a groundbreaking exhibition entitled Cinema Remixed and Reloaded: Black Women Artists and the Moving Image. |
Dorrell Bradford is an American photographer who was born and raised in South Phoenix, Arizona. He documents moments in which he seeks pause and wonder. His minimalist compositions of everyday settings emphasize shape, design, and dimension, encourage viewers to find their own moments of contemplation and discovery. Bradford graduated from Arizona State University with a Bachelor of Science in Sociology in 2012. Shortly thereafter, Bradford moved to New York City. During this time, he fostered close friendships with artists from a wide array of backgrounds and these provided him with firsthand understanding of an artist’s lifestyle and work. Access to the NYC art world was crucial and became a learning ground for Bradford. |
George Welch began his studies at Pratt Institute in Brooklyn, New York in 1961. One year later he began his apprenticeship at the Queens Litho Corp. in the Graphics Department. He continued his Graphic Arts studies at Pratt, became a full-time graphics layout artist in the Art Department and met John Chamberlain, whose work he admired. When Welch decided to leave New York, he continued his studies at Central State University in Wilberforce Ohio. There, he worked on literary magazines, the school newspaper and became editor of The Fraternity Journal. He began to focus on painting, jazz, poetry, Paris and the Harlem Renaissance. After travels around the world, Welch began a studio-gallery in Chelsea- Clinton area of Manhattan called Solution3. In 1970, He worked there with his partner and invited community artists to show their works. George moved to Tucson, Arizona in 1971 and taught at Pima Community College for over 40 years. |
Arizona native Isse Maloi has always been captivated by the street and pop art scene. His appreciation of the diversity each genre has to offer, and finding a way to bring those ideas to canvases has been a lifetime in the making. As an art enthusiast, Isse has a passion for supporting artists that inspire him. His keen eye and detailed work shows his interpretation of past and current styles. His large scale pieces evoke nostalgia with a modern perspective. Inspired by different elements and heavily based in type font, character, and iconic pop references, he sparks passion and conversation. |
Jacqueline Chanda, born in Detroit, MI, is now a full time artist living in Tucson, AZ. She earned her undergraduate degree in painting and drawing from UCLA. Upon graduation she traveled to Paris, France where she obtained graduate degrees from the Sorbonne University and studied at the École Nationale Supérieure des Beaux-Arts and the Academy de Porte Royale. Jacqueline is a representational figurative oil painter who loves to create narrative works that capture the beauty in the expressions and movements of common people doing everyday activities. |
Jerome Fleming is heavily influenced by people, architecture, graffiti, music, and pop culture. His abstract and geometric portraiture finds the extraordinary in the ordinary. His love for the human face and his attention to fine details drives him to create with an out-of-the-box-perspective. He works in a number of mediums ranging from traditional to digital. He seeks to reimagine the world around me one line, shape, paint stroke, or pixel at a time. |
From her birthplace of Chicago, through 20 years in Atlanta, GA, and Goodyear, AZ, Patricia Bohannon has left an indelible mark on the various art communities of which she’s been a part. Patricia was introduced to the world of art in elementary school by a neighbor and honed that interest later in High School. She knew one day she’d be a painter and sculptor, and was successful creating with paints, glass, fiber clay, ceramic, metal, and mixed media over the years. She graduated with high honors from Chicago State University in 1987. Over her astonishing 60-year career, she participated in countless individual and group exhibitions, taught art in the Chicago Public School system and the Fulton County Board of Education and received numerous honors and awards. She was celebrated as 2022’s Extraordinary Woman of Color during Black History Month and featured on ABC15’s Sonoran Living. Patricia Bohannon used her gift to inspire and lift the social consciousness of her viewers: “What sustains me as I create, is my passion and desire to connect with people and share through visual expression, historical information on the unfamiliar.” Patricia passed away in July 2023. Her work is still on display at Sedona Art Center. |
Born and raised in Phoenix Arizona, Shoreigh Williams is known for an elegantly morphed, dream-like style. Mostly using Micron and acrylic, her experimentation with the scribble texture has bled its way into a permanent style. Previously stating “When in doubt, draw it out.” Influences include her mother Cassandra Hansen, mentor Antoinette Cauley, Travis Rice, and Ivan Lopez. |
“The Future is Unwritten: Chip Thomas and The Painted Desert”
“Jetsonorama: The Healing Power of Art: Dr. Chip Thomas”
Liz Lerman and Critical Response
Critical Response Process Resources
“Meet Edson “House” Magaña: Community Activist and Clinical Assistant Professor